Salah Elmur was one of the artists I hung out with in Khartoum in the early 1990s. He had a unique playful style, reminiscent of Paul Klee. His wife was also an artist, working on fanciful dolls. I later met him in Nairobi, where he was living with a number of other Sudanese artists who had fled Bashir's repressive regime. I recently stumbled on Salah's new website, and also realized he has a Facebook page filled with wonderful images. His latest work is remarkable, combining East and Northeast African idioms and symbols with an artistic sensibility the equal of David Hockney or Francis Bacon.
